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mla论文格式

小草范文网  发布于:2017-04-05  分类: 论文格式 手机版

篇一:MLA论文格式

正文主体两边对齐,双倍行距,标题小三号,正文小四号字,全部使用Times New Roman

Cross-referencing in MLA Format

Quotation format 引用格式

? 引用任何不是自己的想法/观点时

When quoting any words that are not your own

? 总结某一出处的事实和观点时

When summarizing facts and ideas from a source

? 总结是指从某一来源的大篇幅资料中提取想法,并用自己的语言压缩。

Summarizing means to take ideas from a large passage of another source and condense them, using your own words

? 解释某些资料时

When paraphrasing a source

? 解释是指使用某些来源的观点,但是用自己的话来表达,格式发生改变。

Paraphrasing means to use the ideas from another source but change the phrasing into your own words

有以上的情况时,都要使用加注形式!即来源作者的性与来源的页码必须出现在你的论文中。You Should Use Parenthetical Citations! That is:

Author’s last name and page number(s) of quote must appear in the text

比如:引号中的内容

Romantic poetry is characterized by the “spontaneous overflow of powerful feelings” (Wordsworth 263).这句话没有指出引文作者是谁,所以括号中要有作者的姓+页码。

Wordsworth stated that Romantic poetry was marked by a “spontaneous overflow of powerful feelings” (263). 这句话中已经有了引文是谁说的,所以后面括号加注只有引文的页码

你文章中有多处引文,作者同姓不同名的,将名字缩写放在姓之前:More than one author with the same last name

(W. Wordsworth 23); (D. Wordsworth 224)

引用同一作者不同作品的,在括号中将作品放在中间,和姓用逗号隔开 More than one work by the same author

(Joyce, Portrait 121); (Joyce, Ulysses 556)

多卷作品的不同卷次,先说卷次,然后冒号,然后页码 Different volumes of a multivolume work

(1: 336)

不是直接引用某一作者的材料,比如这是Johnson说的话,但是是在Boswell的书里面出现的Johnson的话。先列出引文作者的姓,然后用qtd. in,然后说出引文所在书的作者的姓,然后卷次,冒号,页码。

Citing indirect sources

(Johnson qtd. in Boswell 2:450)

诗歌引用: 标出行数,不用页码

In “Trumpet Player,” Hughes says that the music “Is honey / mixed with liquid fire” (lines

19-20). This image returns at the end of the poem, when Hughes concludes that “Trouble / Mellows to a golden not” (43-44).

注意首次引用时用lines,再次引用时可以省略该词。

戏剧和长篇诗歌:不用页码,而使用作品中的幕、场次、章节(act, scene, canto, book, part)和行。在以下示例中,阿拉伯数字用来表示幕和场次以及行数:(Hamlet 2.3.22-27).对长篇诗歌来说也是一样,如拜伦的《唐璜》:(DJ 1.37.4-8).

下面是后面Bibliography的格式

作者先排姓,再写名字,然后按姓氏的字母顺序来排。

第一行不用缩进,如果延续到第二行,第二行缩进5个字符。

书名、杂志名称用斜体,文章名称用双引号

里面的月份,除了May, June, July之外,全部月份名称都要缩写。

Bibliography

Dickens, Charles. Bleak House. 1852-1853. New York: Penguin, 1985.

---. David Copperfield. 1849-1850. New York: Houghton Mifflin Company, 1958.

Miller, J. Hillis. Charles Dickens: The World and His Novels. Bloomington: U of Indiana P, 1958. Zwerdling, Alex. “Esther Summerson Rehabilitated.” PMLA 88 (May 1973): 429-439.

具体范例:

Sample examples:

Book 从书中引用的,将书的作者列出,姓氏在前,逗号,名字在后,句点,然后书名斜体,句点,然后出版社所在地,冒号,出版社名字,逗号,出版年,句点。

Byatt, A. S. Babel Tower. New York: Random House, 1996.

Article in a Magazine 从杂志中引用文章的,将文章的作者列出,姓氏在前,逗号,名字在后,句点,然后文章名字用双引号括起来,句点在里面,然后杂志名字斜体,出版日月年,冒号,文章是从多少页到多少页。

Klein, Joe. “Dizzy Days.” The New Yorker 5 Oct. 1998: 40-45.

Web page 从网上下载的,将文章的作者列出,姓氏在前,逗号,名字在后,句点,然后文章名字用双引号括起来,句点在里面,网址名称斜体,文章创建及存在的日期(日月年),句点,网站全名及其建立者(往往与网站名称相同),句点,以及你见到此文的日期(日月年),单引号网址。

Poland, Dave. “The Hot Button.” Roughcut. 26 Oct. 1998. Turner Network Television. 28 Oct.

1998 <>.

A newspaper article从报纸中引用文章的,将文章的作者列出,姓氏在前,逗号,名字在后,句点,然后文章名字用双引号括起来,句点在里面,然后报纸名字斜体,出版日月年,冒号,版面名称。

Tommasini, Anthony. “Master Teachers Whose Artistry Glows in Private.” New York Times 27 Oct.

1998: B2.

A source with no known author 不知道作者的文章,将文章名字用双引号括起来,句点在里面,然后报纸名字斜体,出版日月年,冒号,版面名称。

“Cigarette Sales Fall 30% as California Tax Rises.” New York Times 14 Sept. 1999: A17.

互联网杂志文章:包括提供数据库服务的公司及其网址;文章的完整日期(日月年),你看

到的日期,为你提供网络服务的图书馆或组织机构。如果引用的是期刊而不是杂志的话,还应有期刊的日期、卷册等。

从中国期刊网上下载的文章应该看做正式出版的期刊文章,不当成互联网杂志文章对待。

`1234567890-=xcvbnm,./ \

篇二:MLA格式论文

外国语学院英语语言文学硕士研究生学位论文

基本格式的规定

根据校研究生处关于硕士研究生学位论文的相关规定,结合英语语言文学专业的学科特点,特就英语语言文学专业硕士学位论文做出如下补充规定:

(一)英语语言文学专业硕士学位论文一般应由以下几部分构成、按照下列顺序编排:1、论文封面; 2、原创性声明和关于论文使用授权的声明; 3、论文内封面;4、英文摘要和英文关键词; 5、中文摘要和中文关键词; 6、论文目录; 7、插图和附表清单;8、论文正文; 9、参考文献; 10、附录; 11、致谢; 12、攻读学位期间发表的学术论文目录。

(二)、英语语言文学专业硕士学位论文的具体要求如下:

1.论文封面:采用研究生处统一规定的封面。填写作者姓名、导师姓名、学位类别、专业名称、研究方向时采用三号楷体;填写论文提交日期时采用三号Times New Roman字体;英文论文题目采用小二号Times New Roman字体、加粗,所有字母全部大写。

2.原创性声明和关于论文使用授权声明: 采用研究生处统一规定的格式。

3.论文内封面:论文设内封面,其中英文论文题目采用Times New Roman三号、居中、加粗,第一个词和实词的首字母大写; 中文论文题目居中、黑体四号;作者英文姓名及以下内容采用Times New Roman四号。具体格式范例见附一。

4.英文摘要和英文关键词:包括论文英文题目(居中、Times New Roman三号、加粗)、ABSTRACT(居中、Times New Roman小三号、加粗)、英文摘要正文(两端对齐、Times New Roman小四号、1.5行距)和英文关键词(其中 “Key Words”采用Times New Roman四号、加粗,其余为Times New Roman小四号)。每个关键词之间以分号隔开。具体格式范例见附二。

5.中文摘要和中文关键词:包括论文中文题目(居中、黑体三号)、摘要(居中、黑体小三号)、摘要正文(两端对齐、宋体小四号)和关键词(其中“关键词”三个字采用黑体四号,其余为宋体小四号、1.5行距)。每个关键词之间以分号隔开。具体格式范例见附三。

6.目录页:包括TABLE OF CONTENTS (居中、Times New Roman小三号、加粗)、一级标题Times New Roman四号、加粗,二级及以下标题Times New Roman小四号。具体格式范例见附四(文学)和附五(语言学)。

7.插图和附表清单:是否列清单应当视论文具体类型而定;清单在目录页之后另起一页,其中标题LIST OF TABLES和LIST OF FIGURES居中、Times New Roman小三号、加粗,其余内容Times New Roman小四号。

8.以上各个部分均以小写罗马字母i, ii, iii, . . .标注页数。

9.正文(绪论、论文主体、结论):一级标题居中,Times New Roman四号、加粗、所有字母全部大写;二级标题及以下Times New Roman小四号、居左;其余正文文字两端对齐、Times New Roman小四号、1.5行距。具体格式范例见附六(文学)和附七(语言学)。正文每章另起一页,以阿拉伯数字1, 2, 3, … 标注页数。文中引用时文学方向按照MLA(Modern Language Association)的格式,标注作者和页码;语言学方向按照APA(American Psychological Association)的格式,标注作者、年代和页码。

10.参考文献分为英文参考文献和中文参考文献。

(1).英文参考文献:另起一页;文学方向按照MLA(Modern Language Association)的格式,标题为:WORKS CITED,居中、Times New Roman四号、加粗、所有字母全部大写;语言学方向按照APA(American Psychological Association)的格式,标题为:REFERENCES,居中、Times New Roman四号、加粗、所有字母全部大写。参考文献的其余文字Times New Roman小四号、1.5行距,第二行及以下缩进;长篇作品等MLA格式一律用下划线,APA格式一律用斜体。具体格式范例见附八(MLA)和附九(APA)。

(2).中文参考文献:另起一页,按照研究生处规定的格式,但不加序号,标题为宋体四号加粗,其余文字宋体小四号,按照作者姓氏的汉语拼音排序,第二行及以下缩进。具体格式范例见附十。

11. 附录:是否有附录应当视具体情况而定;附录在参考文献之后另起一页,标题为APPENDIX,居中、Times New Roman四号、加粗、所有字母全部大写,其余内容Times New Roman小四号。

12、致谢:另起一页;标题为ACKNOWLEDGEMENTS,居中,Times New Roman四号、加粗、所有字母全部大写。其余文字Times New Roman小四号、1.5行距,两端对齐。

13、攻读学位期间发表的学术论文目录:标题为PUBLICATIONS,居中、Times New Roman四号、加粗,其余内容Times New Roman小四号。

以上规定,请各位研究生严格遵照执行,如果论文不符合上述规定以及MLA style / APA style有关documentation的规定,将退回重新修改;如果因此而影响学位评审,则责任自负。

附一

David Hwang’

论《蝴蝶君》对东方主义的解构及其不完全性

Ding Wenli

Under the Supervision of Professor Zou Huiling

Submitted to School of Foreign Studies, Xuzhou Normal University

In Partial Fulfillment of the Requirements

For the Degree of Master of Arts

Xuzhou, China

May, 2006

附二

David Hwang’

ABSTRACT

In Hwang deconstructs Orientalism in terms of interpersonal relations. He reverses the roles of the self-centered white man and the submissive Oriental woman. As Hwang puts it, Gallimard, the French diplomat, establishes his relations with Song, a Peking Opera singer, on the Butterfly fantasy and believes that he is entitled to have this Butterfly’s love. However, it turns out that Song is not Gallimard’s Butterfly. “She” is a man who makes use of their relations to gather secret information for the Chinese government, while Gallimard, the white man, is the real Butterfly who is controlled and dominated. In this way, Hwang demonstrates that the stereotype of the submissive Oriental woman is ueal and that it is merely a white male fantasy.

. . .

Key Words: Orientalism;;

inadequacy;deconstruction

附三

论《蝴蝶君》对东方主义的解构及其不完全性

摘要

黄哲伦在人际关系层面上解构了东方主义传统,倒置了以自我为中心的西方男子与顺从的东方女子之间的关系。在他笔下,男主人公法国外交官伽俐玛把自己与中国京剧演员宋俐伶之间的关系建立在对蝴蝶夫人的幻想上,认为自己有权拥有东方女子的爱情。然而,事实证明,宋俐伶并非伽俐玛的蝴蝶夫人,而是利用二人关系为中国政府窃取情报的男间谍,而伽俐玛才是被控制、被主宰的“蝴蝶夫人”。黄哲伦以此揭示了蝴蝶夫人形象的不真实性,表明那只不过是西方白人对东方女子不切实际的幻想。

??

关键词:东方主义;《蝴蝶君》;《蝴蝶夫人》;不完全性; 解构

篇三:MLA论文格式

MLA Style Requirements

Checklist

Title Page

Acknowledgements

Abstract (English & Chinese)

Title (English)

Sections I Introduction

Section II Literature Review

Section III Analysis

Section IV Conclusion

References

封面 (所有内容均居中)

1. 标题:Times New Roman 114或16号字(取决于标题的长短),加粗。

Capitalize the first words, the last words and all principal words, including nouns, pronouns (e.g. our, they), verbs, adjectives, adverbs and subordinating conjunctions (e.g. after, although, because, before, if, that unless, until, when, where, while).

Do NOT capitalize articles (e.g. a, an, the), prepositions (e.g. against, between, in, of, to) and coordinating conjunctions (e.g. and, but, for, nor, or, so yet).

The Absent Father in Modern American Plays2

2. 作者,指导老师,申请本科学位:Times New Roman 12号,不用加粗

by

Wu Xiaoming

Under the Supervision of

Li Min

Submitted in Partial Fulfillment of the Requirements for 1

2 下文中如无特殊说明英文字体均为Times New Roman 蓝色部分均为例子

the Degree of Bachelor of Arts

3. 院系信息:Times New Roman 10号字,不用加粗

English Program, Department of Foreigh Languages,

Jinling College, Nanjing University

Margins

Leave margins of 2.5 cm at the top, bottom and on both sides of the A4 paper.

致谢

1. Acknowledgements (复数):Times New Roman 14, 加粗,居中

Acknowledgements

2 内容部分: Times New Roman 12, 1.5倍行距,两端对齐

Upon the accomplishment of this thesis, I would like to express my sincere gratitude to many people who have constantly offered me helps during the process of material-collecting and draft-composing.

3署名:姓和名首字母大写,中间加英文的句号, 位于致谢的右下角

W. W. W

?

?

?

? I am pleased to thank… This is a great opportunity to express my respect to… This person has provided me with necessary assistance and… I would like to thank … for inspiring me to …

中英文摘要

用英文写的论文英文摘要在前,中文在后。

1 ABSTRACT: 这个单词所有字母均大写,12号字,加粗,居中

ABSTRACT

2内容:不超过150字,12号字,1.5倍行距,两端对齐

In the play Desire under the Elms (1925) of the American playwright Eugene O’Neill, the main characters’ behavior reveals their strong desire for freedom in family and sexual relations. This paper studies the play script and the playwright’s family background as well as the social background at that time. The relation in the playwright’s family is similar to the one in the play and he also had a strong desire to seek freedom in family life and sexual relationship. And as the society in the 1920s was facing great changes in social conventions, the young generation was eager to get rid of family restrictions and sexual bonds. By analysis and comparison, this thesis paper comes to a conclusion that the strong desire for freedom in family and sexual relations of the writer and the young generation in the 1920s is reflected in the play through the main characters’ strong desire for freedom in these two aspects.

3中文摘要:摘要两字宋体小四,加粗,居中;内容部分宋体五号,1.5倍行距,两端对齐

页码:页面右下角

1 非正文部分(封面、致谢、中英文摘要)用小罗马数字标注( ii, iii,),封面不用加页码,致谢为第二页(插入页码时选择首页不显示页码)

2 正文部分(从introduction开始)页码用阿拉伯数字标注(1, 2, 3…)

正文(除了特殊说明部分均为Times New Roman, 12, 1.5倍行距,两端对齐,首行缩进)

1 正文开始要写论文的标题,字体字号同封面

2 各部分标题 (不用加标点符号,Times New Roman, 首字母大写,12号字,加粗)

Section I Introduction

Section II Literature Review

Section III Analysis

Section IV Conclusion

Section I Introduction

It provides a general idea about the thesis. It includes

i) background information,

ii) research goal and objectives (purpose of th

mla论文格式

e research)

iii) methodology

iv) outline

Section II Literature Reviews

It provides crucial background information for understanding your own research. It includes the discoveries from famous scholars and researchers. You should not summarize relevant articles and books one by one sequentially. Rather, you include only the relevant information related to the research question you are developing.

Section III Analysis

It is the major part in which you assert your own research statement and provide sub-statements and supporting information.

Section IV Conclusion

It is an expanded summary. You paraphrase the major points in your analysis section. If you are discussing an ongoing event, you may predict the potential outcome and/or future study. If you are recalling an event in the past, you may re-emphasize the study’s significance and/or the limitation.

3. 如果你在分析部分中再列出分论点:Arial Black,12, 加粗,首字母大写

I. The consequence of the development of Isabel’s character and growth

引用

1. 三行内的引用:需要加双引号,在括号中注明作者的姓和页码,中间不需加标点。

Among intentional spoonerisms, the “punlike metathesis of distinctive features may serve to weld together words etymologically uelated but close in their sound and meaning” (Jakobson and Waugh 304).

2. 如果论文中已出现该作者的名字,则括号中只需注明页码

Another engaging passage is the opening of Isabel Allende’s story “Toad’s Mouth” (83).

3.引用超过三行时:上下各空1.5行,单倍行距,左右均缩进5个字符,不需要加双引号

The 1920s was a decade known as the “roaring 20s”. It was a time of “roaring” excitement, “roaring” confusion and “roaring” change.

This decade was marked by political ignorance, wild pursuit of material

wealth and social intolerance. There was the rise of isolationism and the

fading of progressivism. Economically, it was a time when emphasis

was shifted from production to consumption, when personal spending

boomed, when automobiles, telephones, radios and refrigerators were

the new technological wonders for the middle class. (Tong 178)

However, this “roaring 20s” was also a time of “roaring” conflicts, mainly the conflicts between the old generation and the young generation, especially those who returned home from the battlefield of World War I.

References. It includes the books, periods or other information you refer to when you develop your own thesis.

1. the resources have been cited in the text. It includes the author’s last name, first name, middle name, name of the article/book, publishing information, page numbers.

Allende, Isabel. “Toad’s Mouth.” Trans. Margaret Sayers Peden. A Hammock beneath the Mangoes: Stories from Latin America. Ed. Thomas Colchie. New York: Plume, 1992. 83-88

2. A book by a single author

Author’Publisher, Year of publication.

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